Nine flames in a single line. The thought of the hanukkiah became a reclining sculpture: the flames rise from one calm, shared base, and the central one stands above the row as the shamash.
The flames intertwine in pairs and leave teardrop-shaped openings between them. Form and negative space fall into a rhythm that lets the light of the room pass through the object. The flames are the form itself – a quiet Hanukkah object that holds its own as a sculpture on a shelf, sideboard or windowsill well beyond the festival.
Nine flames in a single line. The thought of the hanukkiah became a reclining sculpture: the flames rise from one calm, shared base, and the central one stands above the row as the shamash.